
Since posting the two collage panels a week or two ago, I've been exploring the idea of atrophy or 'urban decay'. This was entirely based on intuitive observation upon visiting the site for the first time. Using decay as the initial step towards understanding a part of the site, I've been able to refine this thought a bit more. My observation is that the connection between 'leisure space' (i.e. garden, plaza, etc.) and 'labour space' (i.e. all surrounding offices) is largely under-developed or completely absent at the site. The existing underused parking lot which swamps the entire site has forced its numerous occupants to the periphery of the site for social gathering. There simply isn't a comfortable go-to place within the site's boundaries.
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Since the 1960's, the Church in Quebec has experienced a relatively pronounced decline of piety throughout much of the province. Church participation has dropped from 88% of the Quebec population to only 28% over one generation but interestingly 90% still claim Catholic affiliation. This drastic shift of energy has been refocused in large part to the modern shrines: shopping centres. In 1890, the commercial district of Old Montreal fully relocated to St. Catherine Street between Bleury and de la Montagne. Thus began the age of retail frenzy along St. Catherine Street. The shift of commercial concentration from Old Montreal to St. Catherine has since established the area as the main shopping artery in Montreal.

I've just learned an interesting etymology of the term leisure. Leisure is traced back to the word otium meaning essentially the same thing, but used to describe the social, academic leisure of the Greek intellectuals and philosophers. The Great thinkers at the forum steps of the School of Athens can visually illustrate this form of academic leisure. Interestingly, the antonym of otium is neg-otium which means trade!

Here is the third of an on-going series of photo-montage panels. This piece is composed of three layers of historic maps of the same area. To the right is Paul Klee's Angelus Novus drawing. The link best explains it in its own terms. The whole piece is an attempt to convey the message of 'past, present, and future'. At the top is an overlay of an early 1900's shop front as it would have appeared in the early shopping districts. The Angelus Novus is the embodiment of the present, with the ability to see into both past and future. To the bottom left is a distorting shape that starts to delineate the city plan to suggest the future of a changing urban dynamic.
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