Tuesday, September 25, 2007

Masdar

Norman Foster, a British architect has just released preliminary images of the walled city of Masdar, Abu Dhabi as the world's first 'Zero-Waste, Zero-Carbon' city. You can read the article here from building.co.uk. The design will be showcased at the World Future Energy Summit in Abu Dhabi January 21-28, 2008 as part of the 'Masdar Initiative'. Foster + Partners have a movie trailer-esque video posted at the WFES website you can also watch.

There aren't a whole lot of details released in regards to the city planning such as how to supply and manage water for a desert city. At this stage, it's mostly schematic design and fantasy images so technical information probably won't be discussed until later at the main conference. I really wonder about the social side of Masdar city -- it's basically a gated community to the extreme, packed with 42,500 ultra environmentally conscious people (or just average Joe's under the pressure of being 100% waste free). I'm wondering how people will thrive within a walled city. People generally need space for expansion and growth (hence the transition from walled cities). While it may be environmentally 'neutral' I wonder what effect it will have on people living in such a restrictive environment.

Wind-Up Lamp

So many new 'green' products are coming out these days. Here's one I wish had been invented a long time ago. It's a wind-up lamp that turns itself off for people who fall asleep while reading their books at night. Check out the short article at treehugger.com.

Monday, September 24, 2007

Ryanair

During my slumber period at home in the Soo, I watched this Dispatches documentary called 'Ryanair: Caught Napping'. It's a 45 minute movie and I'd strongly recommend you watch it (particularly anyone who has, or may be using Ryanair soon). A Ryanair ticket is extremely tempting because tickets can go for as low as 0.01 Euros (i.e. free) with only airport taxes on top of that which may bring an airfare up to 30 - 40 Euro on average. That's cheaper than a bus fare in some cases! However, as you'll find out, you get what you pay for.

Sunday, September 23, 2007

Wall Graffiti

You have to check this out! Amazing wall graffiti by Blu

More at Wooster Collective.

23 on 23


A Champagne Birthday only happens once in your life and today is my day!

23 on the 23rd!

(It makes for an excellent excuse to party even more).

Hope to see people out tonight. We will be heading to either the faithful Heart & Crown or the Honest Lawyer.

Cheers!

Friday, September 21, 2007

Four Squares

The first year's have just completed their first assignment for drawing class. Like every year, each student is issued a tiny 3cm x 3cm square cut-out of a larger existing drawing, painting, or etching. The student then represents this tiny section on a larger piece of drawing paper using graphite, conte crayon, ink, and new to this year, 'sanguine' (basically red dry pastel). At the drawing deadline, each square is pieced together to form the original drawing and pinned up in the Pit. This year's subject is 'The Martyrdom of St. Sebastian' by Andrea Mantegna, an oil painting ca. 1457-1459.

There is a memorable thrill of making the transition of drawing scale from micro to macro:












































You can find the original painting by Mantegna here.
Also, a brief but more detailed description of the painting subject for more background by Dr. Jean Pierre Lafouge.

Sunday, September 16, 2007

Ark Magazine

Jess just found out that her winning pavilion design is featured in Ark, a major Finnish architectural review magazine! The magazine features all kinds of different work in Finland. You can find her under latest issue at the website and her project is shown as the main background too. Check it out!

Thursday, September 13, 2007

Together at Last!


Tomorrow the Mrs. arrives.
Then all is good.
Housewarming party Saturday pm.
All welcome.


Wednesday, September 12, 2007

Montreal Field Trip

Immediately after the drawing competition, we packed our bags for an organized field trip to Montreal to visit our site at the Gesù Church. Our group of four rented a vehicle and drove down late at night to check in to a hostel and party it up a bit in the city. Next morning, we spent a full day surveying a portion of the building.

The purpose of this visit was to gain a sense of the site and generate some initial feelings of purpose to derive ideas for the rest of the project. A supplementary assignment to surveying the building is creating a 'photographic essay' of the building. A sort of narrative expressing our initial impression of the site or the building or anything at all we find significant to developing our project. We are meant to generate thought from this and weave in and out of it through the course of the semester.



OBSERVATIONS:: From what this church was intended to be, and what it became are two very different things. From the get-go, the design of the church was done up by an Irish architect in New York who had never visited the site, nor designed the building in drawings, but rather dimensions. The numbers were sent to Montreal to the Jesuits were to fill in the blanks. Additionally, higher authorities within the local parish wanted to keep another main church in downtown Montreal as the central church to the city and the Gesù church was not to exceed the other's height. We're told that historically, all kinds of dancing, performing arts, galleries etc were flourishing at the very doorstep of the Gesù but for some reason, the architecture never really followed suit. Instead, it has become an ugly duckling - incomplete towers, huge chunky proportions, careless repairs, set on a bed of cracked asphalt. In the winter, ice has been known to fall very dangerously - in one instance it broke right through the lower roof of the building! There's also no easy way of getting into the building. That's a long story in itself. It is also blessed to be next to the American Consulate. Some friends were escorted off of the neighbouring empty lot because we were photographing the church. Charming.

For the next few days, teams will compile their survey measurements and overlay them on Louis' final survey notes. The 'official' purpose of the survey is to see how close we are to the actual drawings which are already in CAD. I'm hoping that once we do this, we'll find strange things about the building to talk about, given it was constructed from numbers and not drawings. It's so strange to even consider architecture without drawing of any kind. Without any representation of the building, what gets lost? What would the list of dimensions even look like, and how would they be organized?

Here are some photos of the Gesù church and its nearby surroundings:

Murray & Murray Finalists

Congratulations to Nevil Wood for winning the all-school Murray & Murray drawing competition this year! Nevil’s drawing was an overlay of the plan of the Tower of Babel and elevation of Noah’s ark reflected in a human eye. The drawing was simply and elegantly laid out with some snappy graphite rendering, to boot. A great honour onto him! (Will try to obtain a photo of this drawing…it was out of reach from a photograph).

Third Prize went to Tom Ngo (housemate from House of sPain). His one-of-a-kind drawing technique was well received by judges and peers. Manually casting wax onto a thin sheet, Tom etched his drawing into a very fine but playful drawing. Entitled: ‘An Incomplete Lady who Likes Popcorn’.

Second Prize came to my drawing this year! It’s a dense graphite panel with a lot of construction happening. It’s easy to get lost in and was intended to create an overwhelming feeling – the weight of two epic construction projects. Less than Nevil’s overlapping layers of representation, this is more of a photographic snap-shot of chaotic events happening simultaneously. Director’s criticism: the scaffolding is suspect. Confession: if you look carefully, one of them is only standing on all fours…about 4 storey’s up.

Have a gander at some of the drawings pinned up this year. There certainly is some great drawing talent being exhibited around the school – proudly carrying on the Carleton hand drawing individuality. My drawing is the last photo shown in the slideshow (and Tom's is second-last).